(1) The inherent quality of the motif (silhouette and articulation)
(2) Showing the whole motif (excluding ‘heads’)
(3) True tessellations - excludes ‘gaps and overlaps’ types
(4) The number of tessellations in the body of his work
(5) Variety of motifs
(6) Challenging motifs - a tendency to the more difficult to achieve motifs (i.e. human figures)
(7) Coloured or shaded tessellations (excluding wireframes)
(8) Contrasting colouring of tessellations
(9) Finished rendering
(10) Borderline
(2) Showing the whole motif (excluding ‘heads’)
(3) True tessellations - excludes ‘gaps and overlaps’ types
(4) The number of tessellations in the body of his work
(5) Variety of motifs
(6) Challenging motifs - a tendency to the more difficult to achieve motifs (i.e. human figures)
(7) Coloured or shaded tessellations (excluding wireframes)
(8) Contrasting colouring of tessellations
(9) Finished rendering
(10) Borderline
Bilney is a very good, if not superb tessellator, and certainly one of the finest, with his tessellations occasionally being of a superlative nature...
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